RESIDUE OF THINGS

This series investigates mark-making as a responsive and process-driven practice. Each gesture arises in relation to the last, forming a visual conversation that resists planning or resolution. The work is grounded in a physical, intuitive engagement with surface and material—foregrounding the act of painting as a form of noticing and responding. I’m drawn to incidental traces in the built environment: the scuff of a shoe, the residue of impact, the wear of time. These works echo those overlooked marks, treating each one as evidence of movement, memory, and encounter.